Annie Blake: 2 Poems

TO KILL WITH A VIEW

“Put your finger here, and see my hands; and put out your hand and place it in my side, and do not be unbelieving but believing” (John 20:24-29)

/ and then we / i heard he was dead / confirmed i would birth his child / and i didn’t have

the time for his sad news / how i would slip through telephone wires / benign and narrow-

winged / my husband cried that night / but i was my mother then / spun the turntable round

and walked out of my house / for what crucifies me praises the other / for at least i admit

that consciousness is a torn flap of the eye / the door of tom and the midnight garden /

the leaves that lift in the light / wounds like hammocks / my shadow / she hits me when she’s

angry / and keeps asking me / you say you’re sad / but you don’t look sad / i gave

her a chocolate biscuit and shut her up / a marble dropped from the ceiling onto the tiles in

the middle of the night /

/ and a bronzed boy / i gave him two lumps of bread / so he could move before he was molten

and molded / ammunition for the war / how the youth are fed and cleaver-clothed / morals

like hitler and he gave me a window to crawl through / i always panic in an elevator / he

skinned me / like chicken breast to avoid oil roasting in the tray / will i turn bimbo or banana

blonde / banana palm / leafy fronds and the phallus /

/ white or the black sheep / block of wool frays like hay / i call for a dentist /

for it’s usually more affectless to assume things / are men / their unassuming conjectures /

portioned on a table so i have something new to chew / how much i avoid 2-d animations /

but my husband is an earth-worker / his wife was shadow-dark and young / milk-drawn

out of a well / she had so many children and i counted them all /

/ watching cartoons when i wasn’t very young / deep regressions and how often i abscess

of caves and small closed up places / i can’t value living above ground / acrophobia /

experience and reflection occupy two rooms in my mind / but dissociation / and when all

these women / pantomime along / i secretly skirt my four walls / feeling squashed

and hyperventilation / dysfunction of vestibular apparatus / like the midday grocery store /

MY FATHER DRANK GOD LIKE LIQUOR

for my husband, my children

/ washing the / ineffable / of under the floor / scratching like i’m scrubbing / he told me i

was going to die in one full stroke / like lightning sweeps / when i think and write / hell

and lightning are concomitant / when the sky cracks open for clouds / sponges / and god

wrings them out / my aegis and the one who dreams for me /

/ falling through a tunnel / it’s not the word itself / but associations / eating a scroll

through the middle / you cannot have a whole body without a navel / pick through each word

until you can eat the whole story / till you get to the back pastry / posterior of a person /

where you carry so heavy your posture starts to bend / but my grandfather controlled women /

left them my house after i died / left it to his son / but i was never permitted to sell it / or re-

marry / his deus ex machina /

/ but she was not unfaithful / just inchoate / and all servants eventually become cold / so i

sojourned / went out into the balcony / like a mother’s pouch / because hanging is not

exactly falling through /

/ i lived with a man / one day he got rid of some of his clothes / a wardrobe / ghosts in

basement boxes / when i see them in the cupboard or that of my body / is interrupted / people

are drawers / stored like child chocolate and then even fish / when i lived with my

grandmother / i used to climb a ladder to hang clothes on the roof / animism / words and

clothes flapping / on the mount of olives /

/ we couldn’t afford to cobblestone the driveway or tessellate the porch / there was gravel

everywhere / scripture or a prescription / grit between my teeth / before bedtime / i spend

a long time picking up loose ends / bits of spaghetti from under the kitchen table / squashed

pumpkin and potato /

/ then gravel popping like popcorn / and then there was a storm and in our house / the wind

and the light washed over me / transduction of cardboard / my template body / chaos bag /

bone chilled for tomorrow’s soup / the smell of sweat or pepper / sleepless breath / heavy

mist and yesterday’s liquor /

/ because my mother / to save money / used to sell eggs by the dozen / but now there is no

heaven / / she should have eaten and fed me instead /


Annie Blake (BTeach, GDipEd) is a divergent thinker, a wife and mother of five children. She commenced school as an EAL student and was raised and, continues to live in a multicultural and industrial location in the West of Melbourne. She enjoys experimenting with Blanco’s Symmetrical and Asymmetrical Logic to explore consciousness and the surreal and phantasmagorical nature of unconscious material. A 4x Pushcart Prize nominee and Best of the Net nominee, her work can be found in Grimoire Magazine, The Slag Reivew, 45th Parallel, North of Oxford, and much more.

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Katie Minacs: 3 poems